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I like the idea of race as anecdote. I live by anecdote. I live to the exclusion of epigram. I understand that people have a tendency to define conservatism in narrow political ways, but what does it mean to you? I have always described myself as a Tory. I despise unconscionable acts, whoever is perpetrating them. Helen says that what I am more than anything else is a Protestant. Can you tell me what you meant when you said you live by anecdote and to the exclusion of epigram? We were talking about race. In my books, I deploy racial anecdote, unmediated by any kind of preaching, any kind of philosophy.
For example, two months before the first Watts riot, I had adventures in South Central Los Angeles, repossessing cars, going around with an unscrupulous fellow, looking for street hookers.
Well, I did this. I was We had all kinds of adventures, driving around to one pad after another and shooting the [expletive] with all these black folk. It was a rollicking good time. So, I live in anecdotes like that. Do you feel any internal friction between your conservatism and, for example, your obvious relish in the content of the anecdote you just described? Scott Fitzgerald line. About how the test of first-rate intelligence is someone who can hold two opposing ideas in his mind?
Mine is a Christian ideal that expresses of the presence of God and the presence of sin. Critics have called your books nihilistic. Does that make sense? The character of Hideo Ashida changes. Dudley Smith changes. William H. Parker changes. Were you thinking about those resonances as you were writing? If I wanted to write a novel about America today I would damn well do it. Do you read anything contemporary?
Or is it mostly old crime stories? Speaking of dogs, tell me about your current bull terrier. We have a great deal of fun anthropomorphizing bull terriers.
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Her first enforcement gig was with the pharoahs when they were whipping the Israelis into slavery. Ingrid does what a great many people would like to do. The anthropomorphizing is all in good humor. I love dogs insanely. Please upgrade your browser. Site Navigation Site Mobile Navigation. Ellroy as a child with his mother, Jean Hilliker. Los Angeles Times. A piece authored in saw Eliade defining Julius Evola as a great thinker and offering praise to the controversial intellectuals Oswald Spengler , Arthur de Gobineau , Houston Stewart Chamberlain and the Nazi ideologue Alfred Rosenberg.
Eliade replied that his works were written for a contemporary public, and not to initiates of esoteric circles.
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Notably, Eliade was also preoccupied with the cult of Thracian deity Zalmoxis and its supposed monotheism. In his study of Eliade, Jung, and Campbell, Ellwood also discusses the connection between academic theories and controversial political involvements, noting that all three mythologists have been accused of reactionary political positions. Ellwood notes the obvious parallel between the conservatism of myth, which speaks of a primordial golden age, and the conservatism of far right politics. Wherever their political sympathies may have sometimes been, he claims, the three mythologists were often "apolitical if not antipolitical, scorning any this-worldly salvation".
Because Eliade stayed out of politics during his later life, Ellwood tries to extract an implicit political philosophy from Eliade's scholarly works. Ellwood argues that the later Eliade's nostalgia for ancient traditions did not make him a political reactionary, even a quiet one.
He concludes that the later Eliade was, in fact, a "radical modernist ". Those who see Eliade's fascination with the primordial as merely reactionary in the ordinary political or religious sense of the word do not understand the mature Eliade in a sufficiently radical way. The tack is not to try fruitlessly to keep it unchanging, but to discover where it is hiding. According to Eliade, religious elements survive in secular culture, but in new, "camouflaged" forms. Many scholars have accused Eliade of " essentialism ", a type of over-generalization in which one incorrectly attributes a common "essence" to a whole group—in this case, all "religious" or "traditional" societies.
Many of Mircea Eliade's literary works, in particular his earliest ones, are noted for their eroticism and their focus on subjective experience. Modernist in style, they have drawn comparisons to the contemporary writings of Mihail Sebastian ,  I. Valerian ,  and Ion Biberi. A secondary but unifying feature present in most of Eliade's stories is their setting, a magical and part-fictional Bucharest.
Persuading the pastor's adolescent son to run away from home, becoming the sexual initiator of a twelve-year-old girl and the lover of a much older woman, the character also attempts to seduce Isabel. Although she falls in love, the young woman does not give in to his pressures, but eventually allows herself to be abused and impregnated by another character, letting the object of her affection know that she had thought of him all along. One of Eliade's best-known works, the novel Maitreyi , dwells on Eliade's own experience, comprising camouflaged details of his relationships with Surendranath Dasgupta and Dasgupta's daughter Maitreyi Devi.
The main character, Allan, is an Englishman who visits the Indian engineer Narendra Sen and courts his daughter, herself known as Maitreyi.
The narrative is again built on "notebooks" to which Allan adds his comments. Allan himself stands alongside Eliade's male characters, whose focus is on action, sensation and experience—his chaste contacts with Maitreyi are encouraged by Sen, who hopes for a marriage which is nonetheless abhorred by his would-be European son-in-law.
As a result, his daughter decides to have intercourse with a lowly stranger, becoming pregnant in the hope that her parents would consequently allow her to marry her lover. However, the story also casts doubt on her earlier actions, reflecting rumors that Maitreyi was not a virgin at the time she and Allan first met, which also seems to expose her father as a hypocrite.
In his earliest novel, titled Novel of the Nearsighted Adolescent and written in the first person, Eliade depicts his experience through high school. The lengthy novel Huliganii "The Hooligans" is intended as the fresco of a family, and, through it, that of an entire generation. The novel Marriage in Heaven depicts the correspondence between two male friends, an artist and a common man, who complain to each other about their failures in love: the former complains about a lover who wanted his children when he did not, while the other recalls being abandoned by a woman who, despite his intentions, did not want to become pregnant by him.
Eliade lets the reader understand that they are in fact talking about the same woman. Mircea Eliade's earliest works, most of which were published at later stages, belong to the fantasy genre. The apparition shares characteristics with vampires and with strigoi : she is believed to be drinking the blood of cattle and that of a young family member.
At the end of the story, Andronic and the female character Dorina are found on the island, naked and locked in a sensual embrace. The short story Un om mare "A Big Man" , which Eliade authored during his stay in Portugal, shows a common person, the engineer Cucoanes, who grows steadily and uncontrollably, reaching immense proportions and ultimately disappearing into the wilderness of the Bucegi Mountains.
Eliade reinterpreted the Greek mythological figure Iphigeneia in his eponymous play. Here, the maiden falls in love with Achilles , and accepts to be sacrificed on the pyre as a means to ensure both her lover's happiness as predicted by an oracle and her father Agamemnon 's victory in the Trojan War.
In addition to his fiction, the exiled Eliade authored several volumes of memoirs and diaries and travel writings. They were published sporadically, and covered various stages of his life. One of the earliest such pieces was India , grouping accounts of the travels he made through the Indian subcontinent. A work that drew particular interest was his Jurnal portughez "Portuguese Diary" , completed during his stay in Lisbon and published only after its author's death.
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A portion of it dealing with his stay in Romania is believed to have been lost. Eliade also wrote various essays of literary criticism. It was published by for the first time in Theory in Action -the journal of the Transformative Studies Institute ,  vol. The early years in Eliade's public career show him to have been highly tolerant of Jews in general, and of the Jewish minority in Romania in particular.
His early condemnation of Nazi antisemitic policies was accompanied by his caution and moderation in regard to Nae Ionescu 's various anti-Jewish attacks. Late in the s, Mihail Sebastian was marginalized by Romania's antisemitic policies, and came to reflect on his Romanian friend's association with the far right. According to Sebastian, Eliade had been friendly to him until the start of his political commitments, after which he severed all ties. According to Sebastian, Eliade said in The Poles' resistance in Warsaw is a Jewish resistance.
Only yids are capable of the blackmail of putting women and children in the front line, to take advantage of the Germans ' sense of scruple. The Germans have no interest in the destruction of Romania. Only a pro-German government can save us What is happening on the frontier with Bukovina is a scandal, because new waves of Jews are flooding into the country.
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